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$627.00
per canvas
FRANK CADOGAN COWPER | VANITY 1907 Pre-Raphaelites Canvas Print
Qty:
Size
Custom (99.06cm x 152.40cm)
Canvas Thickness
1.9 cm (0.75")
+$126.00
Frame
None
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About This Design
FRANK CADOGAN COWPER | VANITY 1907 Pre-Raphaelites Canvas Print
----------------------------------------------------------------------------------𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓 (𝟏𝟖𝟕𝟕-𝟏𝟗𝟓𝟖) - 𝑽𝑨𝑵𝑰𝑻𝒀 - 𝟏𝟗𝟎𝟕 - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎 (𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔) - 𝑭𝒆𝒎𝒂𝒍𝒆 𝑷𝒐𝒓𝒕𝒓𝒂𝒊𝒕, 𝑺𝒚𝒎𝒃𝒐𝒍𝒊𝒔𝒎 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 --------------------------------- 𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓 (𝟏𝟖𝟕𝟕-𝟏𝟗𝟓𝟖) 𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒔 "𝑽𝒂𝒏𝒊𝒕𝒚," 𝒂 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒊𝒏𝒈 𝒑𝒊𝒆𝒄𝒆 𝒇𝒓𝒐𝒎 𝟏𝟗𝟎𝟕 𝒕𝒉𝒂𝒕 𝒃𝒆𝒂𝒖𝒕𝒊𝒇𝒖𝒍𝒍𝒚 𝒆𝒏𝒄𝒂𝒑𝒔𝒖𝒍𝒂𝒕𝒆𝒔 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎, 𝒑𝒂𝒓𝒕𝒊𝒄𝒖𝒍𝒂𝒓𝒍𝒚 𝒅𝒓𝒂𝒘𝒊𝒏𝒈 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕. 𝑻𝒉𝒊𝒔 𝒐𝒊𝒍-𝒐𝒏-𝒄𝒂𝒏𝒗𝒂𝒔 𝒎𝒂𝒔𝒕𝒆𝒓𝒑𝒊𝒆𝒄𝒆 𝒊𝒏𝒕𝒓𝒊𝒄𝒂𝒕𝒆𝒍𝒚 𝒘𝒆𝒂𝒗𝒆𝒔 𝒔𝒚𝒎𝒃𝒐𝒍𝒊𝒔𝒎, 𝒉𝒊𝒔𝒕𝒐𝒓𝒊𝒄𝒂𝒍 𝒓𝒆𝒇𝒆𝒓𝒆𝒏𝒄𝒆𝒔, 𝒂𝒏𝒅 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄 𝒂𝒍𝒍𝒖𝒓𝒆 𝒊𝒏𝒕𝒐 𝒂 𝒓𝒊𝒄𝒉 𝒕𝒂𝒑𝒆𝒔𝒕𝒓𝒚 𝒐𝒇 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏.  𝑻𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏 𝒐𝒇 '𝑽𝒂𝒏𝒊𝒕𝒚' 𝒊𝒔 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝑪𝒐𝒘𝒑𝒆𝒓'𝒔 𝒂𝒅𝒆𝒑𝒕 𝒇𝒖𝒔𝒊𝒐𝒏 𝒐𝒇 𝑰𝒕𝒂𝒍𝒊𝒂𝒏 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔 𝒂𝒏𝒅 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝒂𝒆𝒔𝒕𝒉𝒆𝒕𝒊𝒄𝒔. 𝑻𝒉𝒆 𝒔𝒖𝒃𝒋𝒆𝒄𝒕, 𝒂 𝒚𝒐𝒖𝒕𝒉𝒇𝒖𝒍 𝒃𝒆𝒂𝒖𝒕𝒚 𝒂𝒅𝒐𝒓𝒏𝒆𝒅 𝒘𝒊𝒕𝒉 𝒋𝒆𝒘𝒆𝒍𝒔, 𝒉𝒐𝒍𝒅𝒔 𝒂 𝒉𝒂𝒏𝒅-𝒎𝒊𝒓𝒓𝒐𝒓—𝒂𝒏 𝒆𝒎𝒃𝒍𝒆𝒎𝒂𝒕𝒊𝒄 𝒈𝒆𝒔𝒕𝒖𝒓𝒆 𝒔𝒊𝒈𝒏𝒊𝒇𝒚𝒊𝒏𝒈 𝒗𝒂𝒏𝒊𝒕𝒚. 𝑷𝒐𝒔𝒊𝒕𝒊𝒐𝒏𝒆𝒅 𝒃𝒆𝒇𝒐𝒓𝒆 𝒂 𝒗𝒊𝒏𝒆 𝒉𝒆𝒂𝒗𝒚 𝒘𝒊𝒕𝒉 𝒓𝒊𝒑𝒆 𝒈𝒓𝒂𝒑𝒆𝒔, 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒔 𝒕𝒉𝒆𝒎𝒆𝒔 𝒐𝒇 𝒂𝒃𝒖𝒏𝒅𝒂𝒏𝒄𝒆 𝒂𝒏𝒅 𝒑𝒍𝒆𝒂𝒔𝒖𝒓𝒆. 𝑾𝒉𝒊𝒍𝒆 𝒓𝒐𝒐𝒕𝒆𝒅 𝒊𝒏 𝒔𝒆𝒄𝒖𝒍𝒂𝒓 𝒔𝒖𝒃𝒋𝒆𝒄𝒕 𝒎𝒂𝒕𝒕𝒆𝒓, 𝒕𝒉𝒆 𝒑𝒐𝒓𝒕𝒓𝒂𝒚𝒂𝒍 𝒐𝒇 𝒂 𝒘𝒐𝒎𝒂𝒏 𝒍𝒆𝒂𝒏𝒊𝒏𝒈 𝒐𝒏 𝒂 𝒄𝒐𝒗𝒆𝒓𝒆𝒅 𝒑𝒂𝒓𝒂𝒑𝒆𝒕 𝒆𝒄𝒉𝒐𝒆𝒔 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 𝒊𝒎𝒂𝒈𝒆𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝑽𝒊𝒓𝒈𝒊𝒏 𝒂𝒏𝒅 𝑪𝒉𝒊𝒍𝒅, 𝒂𝒅𝒅𝒊𝒏𝒈 𝒍𝒂𝒚𝒆𝒓𝒔 𝒐𝒇 𝒄𝒐𝒎𝒑𝒍𝒆𝒙𝒊𝒕𝒚 𝒕𝒐 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏.  𝑨𝒍𝒕𝒉𝒐𝒖𝒈𝒉 𝑪𝒐𝒘𝒑𝒆𝒓 𝒘𝒂𝒔𝒏'𝒕 𝒂𝒇𝒇𝒊𝒍𝒊𝒂𝒕𝒆𝒅 𝒘𝒊𝒕𝒉 𝒂 𝒔𝒑𝒆𝒄𝒊𝒇𝒊𝒄 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒈𝒓𝒐𝒖𝒑, 𝒉𝒊𝒔 𝒘𝒐𝒓𝒌 𝒂𝒍𝒊𝒈𝒏𝒔 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 '𝑺𝒆𝒄𝒐𝒏𝒅 𝑮𝒆𝒏𝒆𝒓𝒂𝒕𝒊𝒐𝒏 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆𝒔.' "𝑽𝒂𝒏𝒊𝒕𝒚," 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒛𝒆𝒅 𝒃𝒚 𝒊𝒕𝒔 𝒅𝒆𝒄𝒐𝒓𝒂𝒕𝒊𝒗𝒆 𝒓𝒊𝒄𝒉𝒏𝒆𝒔𝒔 𝒂𝒏𝒅 𝒗𝒊𝒃𝒓𝒂𝒏𝒕 𝒄𝒐𝒍𝒐𝒓𝒔, 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒔 𝒂 𝒓𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒛𝒆𝒅 𝒗𝒊𝒔𝒊𝒐𝒏 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒔𝒕, 𝒊𝒏𝒗𝒐𝒌𝒊𝒏𝒈 𝒏𝒐𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝒄𝒉𝒊𝒗𝒂𝒍𝒓𝒊𝒄 𝒂𝒏𝒅 𝒄𝒐𝒖𝒓𝒕𝒍𝒚 𝒍𝒐𝒗𝒆. 𝑻𝒉𝒆 𝒂𝒕𝒕𝒆𝒏𝒕𝒊𝒐𝒏 𝒕𝒐 𝒍𝒖𝒙𝒖𝒓𝒊𝒐𝒖𝒔 𝒇𝒂𝒃𝒓𝒊𝒄𝒔 𝒂𝒏𝒅 𝒊𝒏𝒕𝒓𝒊𝒄𝒂𝒕𝒆 𝒅𝒆𝒕𝒂𝒊𝒍𝒔 𝒔𝒊𝒈𝒏𝒊𝒇𝒊𝒆𝒔 𝒂 𝒓𝒆𝒏𝒆𝒘𝒆𝒅 𝒊𝒏𝒕𝒆𝒓𝒆𝒔𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒂𝒑𝒑𝒍𝒊𝒆𝒅 𝒂𝒓𝒕𝒔 𝒂𝒏𝒅 𝒄𝒓𝒂𝒇𝒕𝒔—𝒂 𝒑𝒓𝒆𝒗𝒂𝒍𝒆𝒏𝒕 𝒕𝒓𝒆𝒏𝒅 𝒊𝒏 𝒍𝒂𝒕𝒆 𝟏𝟗𝒕𝒉-𝒄𝒆𝒏𝒕𝒖𝒓𝒚 𝑩𝒓𝒊𝒕𝒊𝒔𝒉 𝒂𝒓𝒕.  𝑰𝒏 𝒂 𝒃𝒓𝒊𝒆𝒇 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒉𝒐𝒘 𝒕𝒐 𝒊𝒏𝒕𝒆𝒓𝒑𝒓𝒆𝒕 "𝑽𝒂𝒏𝒊𝒕𝒚," 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒊𝒔 𝒄𝒐𝒏𝒕𝒆𝒙𝒕𝒖𝒂𝒍𝒊𝒛𝒆𝒅 𝒘𝒊𝒕𝒉𝒊𝒏 𝒕𝒉𝒆 𝒈𝒆𝒏𝒓𝒆 𝒐𝒇 𝒗𝒂𝒏𝒊𝒕𝒂𝒔, 𝒑𝒐𝒑𝒖𝒍𝒂𝒓 𝒊𝒏 𝒕𝒉𝒆 𝟏𝟔𝒕𝒉 𝒂𝒏𝒅 𝟏𝟕𝒕𝒉 𝒄𝒆𝒏𝒕𝒖𝒓𝒊𝒆𝒔. 𝑻𝒉𝒆 𝒕𝒆𝒓𝒎, 𝒅𝒆𝒓𝒊𝒗𝒆𝒅 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒃𝒊𝒃𝒍𝒊𝒄𝒂𝒍 𝒑𝒓𝒐𝒄𝒍𝒂𝒎𝒂𝒕𝒊𝒐𝒏 𝒕𝒉𝒂𝒕 "𝒂𝒍𝒍 𝒊𝒔 𝒗𝒂𝒏𝒊𝒕𝒚," 𝒆𝒏𝒄𝒐𝒎𝒑𝒂𝒔𝒔𝒆𝒔 𝒔𝒕𝒊𝒍𝒍-𝒍𝒊𝒇𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔 𝒕𝒉𝒂𝒕 𝒔𝒆𝒓𝒗𝒆 𝒂𝒔 𝒓𝒆𝒎𝒊𝒏𝒅𝒆𝒓𝒔 𝒐𝒇 𝒎𝒐𝒓𝒕𝒂𝒍𝒊𝒕𝒚 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒆𝒑𝒉𝒆𝒎𝒆𝒓𝒂𝒍 𝒏𝒂𝒕𝒖𝒓𝒆 𝒐𝒇 𝒆𝒂𝒓𝒕𝒉𝒍𝒚 𝒑𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏𝒔. 𝑪𝒐𝒘𝒑𝒆𝒓'𝒔 𝒘𝒐𝒓𝒌 𝒂𝒍𝒊𝒈𝒏𝒔 𝒘𝒊𝒕𝒉 𝒕𝒉𝒊𝒔 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏, 𝒑𝒓𝒐𝒎𝒑𝒕𝒊𝒏𝒈 𝒗𝒊𝒆𝒘𝒆𝒓𝒔 𝒕𝒐 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒍𝒂𝒕𝒆 𝒕𝒉𝒆 𝒕𝒓𝒂𝒏𝒔𝒊𝒆𝒏𝒕 𝒏𝒂𝒕𝒖𝒓𝒆 𝒐𝒇 𝒃𝒆𝒂𝒖𝒕𝒚 𝒂𝒏𝒅 𝒂𝒃𝒖𝒏𝒅𝒂𝒏𝒄𝒆.  𝑻𝒉𝒆 𝒖𝒏𝒏𝒂𝒎𝒆𝒅 𝒎𝒐𝒅𝒆𝒍 𝒊𝒏 "𝑽𝒂𝒏𝒊𝒕𝒚" 𝒃𝒆𝒂𝒓𝒔 𝒂 𝒓𝒆𝒔𝒆𝒎𝒃𝒍𝒂𝒏𝒄𝒆 𝒕𝒐 𝒕𝒉𝒆 𝒇𝒂𝒗𝒐𝒓𝒆𝒅 𝒎𝒐𝒅𝒆𝒍𝒔 𝒐𝒇 𝑷𝒓𝒆-𝑹𝒂𝒑𝒉𝒂𝒆𝒍𝒊𝒕𝒆 𝑩𝒓𝒐𝒕𝒉𝒆𝒓𝒉𝒐𝒐𝒅 𝒂𝒓𝒕𝒊𝒔𝒕𝒔 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒑𝒓𝒆𝒗𝒊𝒐𝒖𝒔 𝒄𝒆𝒏𝒕𝒖𝒓𝒚, 𝒍𝒊𝒌𝒆 𝑫𝒂𝒏𝒕𝒆 𝑮𝒂𝒃𝒓𝒊𝒆𝒍 𝑹𝒐𝒔𝒔𝒆𝒕𝒕𝒊 𝒂𝒏𝒅 𝑱𝒐𝒉𝒏 𝑬𝒗𝒆𝒓𝒆𝒕𝒕 𝑴𝒊𝒍𝒍𝒂𝒊𝒔. 𝑻𝒉𝒆 𝒎𝒐𝒅𝒆𝒍'𝒔 𝒆𝒏𝒊𝒈𝒎𝒂𝒕𝒊𝒄 𝒑𝒓𝒆𝒔𝒆𝒏𝒄𝒆 𝒂𝒅𝒅𝒔 𝒂 𝒍𝒂𝒚𝒆𝒓 𝒐𝒇 𝒎𝒚𝒔𝒕𝒆𝒓𝒚 𝒕𝒐 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒊𝒏𝒗𝒊𝒕𝒊𝒏𝒈 𝒗𝒊𝒆𝒘𝒆𝒓𝒔 𝒕𝒐 𝒑𝒐𝒏𝒅𝒆𝒓 𝒕𝒉𝒆 𝒓𝒐𝒍𝒆 𝒐𝒇 𝒃𝒆𝒂𝒖𝒕𝒚 𝒂𝒏𝒅 𝒊𝒕𝒔 𝒊𝒏𝒆𝒗𝒊𝒕𝒂𝒃𝒍𝒆 𝒕𝒓𝒂𝒏𝒔𝒊𝒆𝒏𝒄𝒆.  𝑻𝒉𝒆 𝒄𝒍𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒏 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒔𝒆𝒂𝒎𝒍𝒆𝒔𝒔𝒍𝒚 𝒃𝒍𝒆𝒏𝒅𝒔 𝒉𝒊𝒔𝒕𝒐𝒓𝒊𝒄 𝒂𝒏𝒅 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒚 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔, 𝒘𝒊𝒕𝒉 𝒅𝒆𝒕𝒂𝒊𝒍𝒔 𝒔𝒖𝒄𝒉 𝒂𝒔 𝒂 𝒔𝒊𝒍𝒗𝒆𝒓 𝒉𝒂𝒏𝒅-𝒎𝒊𝒓𝒓𝒐𝒓 𝒂𝒏𝒅 𝒑𝒆𝒂𝒓𝒍𝒔 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒊𝒏𝒈 𝒆𝒂𝒓𝒍𝒚 𝟐𝟎𝒕𝒉-𝒄𝒆𝒏𝒕𝒖𝒓𝒚 𝒇𝒂𝒔𝒉𝒊𝒐𝒏. 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 𝑰𝒕𝒂𝒍𝒚 𝒆𝒙𝒆𝒓𝒕𝒔 𝒂 𝒑𝒓𝒐𝒇𝒐𝒖𝒏𝒅 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆 𝒐𝒏 𝒕𝒉𝒆 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏, 𝒆𝒗𝒊𝒅𝒆𝒏𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒇𝒆𝒓𝒓𝒐𝒏𝒊è𝒓𝒆 (𝒋𝒆𝒘𝒆𝒍𝒍𝒆𝒅 𝒉𝒆𝒂𝒅𝒃𝒂𝒏𝒅) 𝒊𝒏 𝒂 𝒔𝒕𝒚𝒍𝒆 𝒕𝒉𝒂𝒕 𝒅𝒂𝒕𝒆𝒔 𝒃𝒂𝒄𝒌 𝒕𝒐 𝒕𝒉𝒆 𝟏𝟓𝒕𝒉 𝒄𝒆𝒏𝒕𝒖𝒓𝒚, 𝒘𝒉𝒊𝒍𝒆 𝒕𝒉𝒆 𝒕𝒉𝒆 𝒆𝒍𝒂𝒃𝒐𝒓𝒂𝒕𝒆 𝒅𝒓𝒆𝒔𝒔 𝒘𝒊𝒕𝒉 𝒊𝒕𝒔 𝒔𝒆𝒓𝒑𝒆𝒏𝒕𝒊𝒏𝒆 𝒑𝒂𝒕𝒕𝒆𝒓𝒏 𝒊𝒔 𝒔𝒊𝒎𝒊𝒍𝒂𝒓 𝒕𝒐 𝒐𝒏𝒆 𝒅𝒆𝒑𝒊𝒄𝒕𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝑰𝒕𝒂𝒍𝒊𝒂𝒏 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 𝒂𝒓𝒕𝒊𝒔𝒕 𝑮𝒊𝒖𝒍𝒊𝒐 𝑹𝒐𝒎𝒂𝒏𝒐’𝒔 𝑷𝒐𝒓𝒕𝒓𝒂𝒊𝒕 𝒐𝒇 𝑴𝒂𝒓𝒈𝒉𝒆𝒓𝒊𝒕𝒂 𝑷𝒂𝒍𝒆𝒐𝒍𝒐𝒈𝒐. 𝑪𝒐𝒘𝒑𝒆𝒓'𝒔 𝒎𝒆𝒕𝒊𝒄𝒖𝒍𝒐𝒖𝒔 𝒂𝒕𝒕𝒆𝒏𝒕𝒊𝒐𝒏 𝒕𝒐 𝒉𝒊𝒔𝒕𝒐𝒓𝒊𝒄𝒂𝒍 𝒂𝒄𝒄𝒖𝒓𝒂𝒄𝒚 𝒆𝒙𝒕𝒆𝒏𝒅𝒔 𝒕𝒐 𝒕𝒉𝒆 𝒐𝒓𝒏𝒂𝒕𝒆 𝒑𝒊𝒄𝒕𝒖𝒓𝒆 𝒇𝒓𝒂𝒎𝒆, 𝒓𝒆𝒊𝒏𝒇𝒐𝒓𝒄𝒊𝒏𝒈 𝒉𝒊𝒔 𝒄𝒐𝒎𝒎𝒊𝒕𝒎𝒆𝒏𝒕 𝒕𝒐 𝒆𝒎𝒖𝒍𝒂𝒕𝒊𝒏𝒈 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 𝒂𝒓𝒕.  𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓, 𝒃𝒐𝒓𝒏 𝒊𝒏 𝟏𝟖𝟕𝟕, 𝒆𝒎𝒆𝒓𝒈𝒆𝒔 𝒂𝒔 𝒂 𝒏𝒐𝒕𝒂𝒃𝒍𝒆 𝒇𝒊𝒈𝒖𝒓𝒆 𝒊𝒏 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆. 𝑯𝒊𝒔 𝒆𝒂𝒓𝒍𝒚 𝒂𝒄𝒄𝒍𝒂𝒊𝒎, 𝒄𝒓𝒊𝒕𝒊𝒄𝒂𝒍 𝒔𝒖𝒄𝒄𝒆𝒔𝒔, 𝒂𝒏𝒅 𝒂𝒔𝒔𝒐𝒄𝒊𝒂𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒆𝒔𝒕𝒆𝒆𝒎𝒆𝒅 𝒂𝒓𝒕 𝒅𝒆𝒂𝒍𝒆𝒓𝒔 𝒖𝒏𝒅𝒆𝒓𝒔𝒄𝒐𝒓𝒆 𝒕𝒉𝒆 𝒓𝒆𝒄𝒐𝒈𝒏𝒊𝒕𝒊𝒐𝒏 𝒐𝒇 𝒉𝒊𝒔 𝒕𝒂𝒍𝒆𝒏𝒕. 𝑻𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒇𝒂𝒔𝒄𝒊𝒏𝒂𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝒗𝒂𝒏𝒊𝒕𝒂𝒔 𝒎𝒂𝒚 𝒓𝒆𝒇𝒍𝒆𝒄𝒕 𝒂 𝒄𝒐𝒏𝒏𝒆𝒄𝒕𝒊𝒐𝒏 𝒕𝒐 𝒉𝒊𝒔 𝒔𝒖𝒑𝒑𝒐𝒔𝒆𝒅𝒍𝒚 𝒎𝒐𝒅𝒆𝒔𝒕 𝒍𝒊𝒇𝒆𝒔𝒕𝒚𝒍𝒆, 𝒇𝒖𝒓𝒕𝒉𝒆𝒓 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒛𝒆𝒅 𝒘𝒉𝒆𝒏 𝒉𝒆 𝒃𝒆𝒄𝒂𝒎𝒆 𝒂 𝒇𝒖𝒍𝒍 𝑹𝒐𝒚𝒂𝒍 𝑨𝒄𝒂𝒅𝒆𝒎𝒊𝒄𝒊𝒂𝒏 𝒊𝒏 𝟏𝟗𝟑𝟒.  𝑰𝒏 𝒆𝒔𝒔𝒆𝒏𝒄𝒆, "𝑽𝒂𝒏𝒊𝒕𝒚" 𝒃𝒚 𝑭𝒓𝒂𝒏𝒌 𝑪𝒂𝒅𝒐𝒈𝒂𝒏 𝑪𝒐𝒘𝒑𝒆𝒓 𝒕𝒓𝒂𝒏𝒔𝒄𝒆𝒏𝒅𝒔 𝒊𝒕𝒔 𝒓𝒐𝒍𝒆 𝒂𝒔 𝒂 𝒑𝒐𝒓𝒕𝒓𝒂𝒊𝒕 𝒂𝒏𝒅 𝒃𝒆𝒄𝒐𝒎𝒆𝒔 𝒂 𝒑𝒓𝒐𝒇𝒐𝒖𝒏𝒅 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒃𝒆𝒂𝒖𝒕𝒚, 𝒎𝒐𝒓𝒕𝒂𝒍𝒊𝒕𝒚, 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒊𝒏𝒕𝒆𝒓𝒑𝒍𝒂𝒚 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒉𝒊𝒔𝒕𝒐𝒓𝒊𝒄𝒂𝒍 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔 𝒂𝒏𝒅 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒚 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒔𝒕𝒂𝒏𝒅𝒔 𝒂𝒔 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝑪𝒐𝒘𝒑𝒆𝒓'𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒎𝒆𝒓𝒈𝒆 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏𝒔, 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂 𝒕𝒊𝒎𝒆𝒍𝒆𝒔𝒔 𝒂𝒏𝒅 𝒕𝒉𝒐𝒖𝒈𝒉𝒕-𝒑𝒓𝒐𝒗𝒐𝒌𝒊𝒏𝒈 𝒘𝒐𝒓𝒌 𝒐𝒇 𝒂𝒓𝒕.
Customer Reviews
4.8 out of 5 stars rating1.2K Total Reviews
1,169 Reviews
Reviews for similar products
5 out of 5 stars rating
By Anne B.23 September 2017 • Verified Purchase
Wrapped Canvas, Size: 20.32cm x 25.40cm
Creator Review
Very impressive product! The canvas is sturdily made. It features a saw tooth hanger on the back, making it easy to "try out" the canvas in several rooms until I found the best location. It attracts good comments from my friends. I love it! The printing is wonderful! Colors are as bright and crisp as they appeared on the website.
from zazzle.com (US)
5 out of 5 stars rating
By Nancy M.17 March 2018 • Verified Purchase
Wrapped Canvas, Size: 33.02cm x 53.33cm
Creator Review
I ordered this as a sample, to test the quality for my shop. I like it very much. The photo print turned out nicely, love the substantial 1.5" wrap-effect for this piece. I can sell this artwork with confidence. Excellent color and clarity of the photo print.
from zazzle.com (US)
5 out of 5 stars rating
By  R.24 April 2016 • Verified Purchase
Wrapped Canvas, Size: 43.23cm x 69.99cm
Zazzle Reviewer Program
I needed an odd size piece of art to cover an ugly electric box panel in my newly finished basement. This piece fit the bill exactly. I've always loved Alphonse Mucha's art and this product was the exact size and style I was looking for. The art is vivid and looks great in my new bathroom. The printing was much better than I was expecting. The image is crisp and clear and the colors are amazing.
from zazzle.com (US)
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Other Info
Product ID: 256004626317931612
Posted on 19/02/2024, 10:33 AM
Rating: G 
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