Hepaticae-Marchantia – Plate 82 - Kunstformen der Poster

Kunstformen der Natur (German for Art Forms of Nature) is a book of lithographic and autotype prints by German biologist Ernst Haeckel. Originally published in sets of ten between 1899 and 1904 and as a complete volume in 1904, it consists of 100 prints of various organisms, many of which were first described by Haeckel himself. The over-riding themes of the Kunstformen plates are symmetry and organisation. The subjects were selected to embody organisation, from the scale patterns of boxfishes to the spirals of ammonites to the perfect symmetries of jellies and microorganisms, while images composing each plate are arranged for maximum visual impact. Kunstformen der Natur was influential in early 20th century art, architecture, and design, bridging the gap between science and art. In particular, many artists associated with Art Nouveau were influenced by Haeckel's images, including René Binet, Karl Blossfeldt, Hans Christiansen, and Émile Gallé. One prominent example is the Amsterdam Commodities Exchange designed by Hendrik Petrus Berlage, which was in part inspired by Kunstformen illustrations.