Native American Vintage Painting Decoupage Tissue Paper

Native American Shim-a-co-che, Crow Chief. Transcriptions of field-sketches drawn during the 1837 expedition that the american artist from Baltimore born, Alfred Jacob Miller, had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade. Extracted from "The West of Alfred Jacob Miller" (1837). In July 1858 William T. Walters commissioned 200 watercolors. These paintings were delivered in instalments over the next twenty-one months and ultimately were bound in three albums (1858-1860). Miller was impressed with Shim-a-co-che (High Lance), the Crow chief, a distinguished man, "full of dignity, and such as you might look for in a well-bred civilised gentleman." Miller noted his "grave look," the "well-cut Roman nose," and the "forehead [that] retreats overmuch...," and recalled that Shim-a-co-che had protested that some of the other sitters for Miller's portraits were common Indians who had counted no coups and did not deserve to be painted.