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WORTHINGTON WHITTREDGE - The Old Hunting Grounds Canvas Print
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Size
Custom (101.60cm x 141.77cm)
Canvas Thickness
1.9 cm (0.75")
+$120.00
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None
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About This Design
WORTHINGTON WHITTREDGE - The Old Hunting Grounds Canvas Print
----------------------------------------------------------------------------------𝑾𝒐𝒓𝒕𝒉𝒊𝒏𝒈𝒕𝒐𝒏 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 (𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏, 𝟏𝟖𝟐𝟎-𝟏𝟗𝟏𝟎) - 𝑻𝒉𝒆 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅𝒔 - 𝟏𝟖𝟔𝟒 - 𝑳𝒖𝒎𝒊𝒏𝒊𝒔𝒎 (𝑯𝒖𝒅𝒔𝒐𝒏 𝑹𝒊𝒗𝒆𝒓 𝑺𝒄𝒉𝒐𝒐𝒍) - 𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄𝒊𝒔𝒎 - 𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 - 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 -------------------------------------------------𝑾𝒊𝒅𝒆𝒍𝒚 𝒓𝒆𝒈𝒂𝒓𝒅𝒆𝒅 𝒂𝒔 𝑾𝒐𝒓𝒕𝒉𝒊𝒏𝒈𝒕𝒐𝒏 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆'𝒔 𝒎𝒂𝒈𝒏𝒖𝒎 𝒐𝒑𝒖𝒔, 𝒕𝒉𝒊𝒔 𝒊𝒏𝒕𝒊𝒎𝒂𝒕𝒆 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒄𝒂𝒑𝒕𝒖𝒓𝒆𝒔 𝒕𝒉𝒆 𝒐𝒃𝒔𝒆𝒓𝒗𝒆𝒓'𝒔 𝒇𝒐𝒄𝒖𝒔 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒂 𝒄𝒐𝒎𝒑𝒆𝒍𝒍𝒊𝒏𝒈 𝒑𝒍𝒂𝒚 𝒐𝒇 𝒍𝒊𝒈𝒉𝒕 𝒂𝒏𝒅 𝒂 𝒓𝒐𝒃𝒖𝒔𝒕 𝒗𝒆𝒓𝒕𝒊𝒄𝒂𝒍 𝒂𝒓𝒓𝒂𝒏𝒈𝒆𝒎𝒆𝒏𝒕. 𝑨 𝒓𝒆𝒔𝒕𝒓𝒊𝒄𝒕𝒆𝒅 𝒄𝒐𝒍𝒐𝒓 𝒑𝒂𝒍𝒆𝒕𝒕𝒆, 𝒅𝒆𝒍𝒊𝒃𝒆𝒓𝒂𝒕𝒆 𝒃𝒓𝒖𝒔𝒉𝒘𝒐𝒓𝒌, 𝒂𝒏𝒅 𝒍𝒊𝒇𝒆𝒍𝒊𝒌𝒆 𝒇𝒐𝒓𝒎𝒔 𝒄𝒐𝒏𝒗𝒆𝒓𝒈𝒆 𝒕𝒐 𝒑𝒓𝒆𝒔𝒆𝒏𝒕 𝒂𝒏 𝒊𝒎𝒂𝒈𝒆 𝒐𝒇 𝒓𝒆𝒔𝒆𝒓𝒗𝒆𝒅 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒃𝒆𝒂𝒖𝒕𝒚. 𝑯𝒐𝒘𝒆𝒗𝒆𝒓, 𝒕𝒉𝒆 𝒔𝒆𝒓𝒆𝒏𝒆 𝒂𝒎𝒃𝒊𝒂𝒏𝒄𝒆 𝒆𝒏𝒄𝒐𝒖𝒏𝒕𝒆𝒓𝒔 𝒗𝒊𝒔𝒖𝒂𝒍 𝒆𝒍𝒆𝒎𝒆𝒏𝒕𝒔 𝒅𝒆𝒍𝒊𝒏𝒆𝒂𝒕𝒊𝒏𝒈 𝒂 𝒑𝒊𝒄𝒕𝒖𝒓𝒆𝒔𝒒𝒖𝒆 𝒑𝒂𝒓𝒂𝒅𝒐𝒙, 𝒐𝒔𝒄𝒊𝒍𝒍𝒂𝒕𝒊𝒏𝒈 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒅𝒊𝒗𝒊𝒏𝒊𝒕𝒚 𝒂𝒏𝒅 𝒅𝒆𝒄𝒂𝒚, 𝒂𝒍𝒍𝒆𝒈𝒐𝒓𝒚, 𝒂𝒏𝒅 𝒑𝒓𝒆𝒄𝒊𝒔𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔 𝒊𝒔 𝒑𝒓𝒆𝒅𝒐𝒎𝒊𝒏𝒂𝒏𝒕𝒍𝒚 𝒐𝒄𝒄𝒖𝒑𝒊𝒆𝒅 𝒃𝒚 𝒂𝒏 𝒂𝒓𝒓𝒂𝒚 𝒐𝒇 𝒊𝒍𝒍𝒖𝒎𝒊𝒏𝒂𝒕𝒆𝒅 𝒃𝒊𝒓𝒄𝒉𝒆𝒔, 𝒄𝒐𝒏𝒔𝒕𝒊𝒕𝒖𝒕𝒊𝒏𝒈 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒓𝒂𝒍 𝒑𝒐𝒊𝒏𝒕 𝒐𝒇 𝒇𝒐𝒄𝒖𝒔. 𝑻𝒉𝒆𝒊𝒓 𝒖𝒑𝒓𝒊𝒈𝒉𝒕 𝒂𝒍𝒊𝒈𝒏𝒎𝒆𝒏𝒕 𝒂𝒏𝒅 𝒔𝒕𝒂𝒓𝒌 𝒘𝒉𝒊𝒕𝒆 𝒃𝒂𝒓𝒌 𝒅𝒓𝒂𝒘 𝒕𝒉𝒆 𝒐𝒃𝒔𝒆𝒓𝒗𝒆𝒓 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 𝒔𝒆𝒕𝒕𝒊𝒏𝒈. 𝑨 𝒔𝒆𝒒𝒖𝒆𝒏𝒄𝒆 𝒐𝒇 𝒅𝒆𝒔𝒄𝒆𝒏𝒅𝒊𝒏𝒈 𝒍𝒊𝒎𝒃𝒔 𝒇𝒐𝒓𝒎𝒔 𝒂 𝒅𝒊𝒂𝒈𝒐𝒏𝒂𝒍 𝒑𝒂𝒕𝒉, 𝒆𝒏𝒉𝒂𝒏𝒄𝒊𝒏𝒈 𝒕𝒉𝒆 𝒑𝒆𝒓𝒄𝒆𝒑𝒕𝒊𝒐𝒏 𝒐𝒇 𝒅𝒆𝒑𝒕𝒉. 𝑨 𝒇𝒓𝒂𝒄𝒕𝒖𝒓𝒆𝒅 𝒂𝒏𝒅 𝒅𝒆𝒄𝒂𝒚𝒆𝒅 𝒕𝒓𝒖𝒏𝒌 𝒍𝒆𝒂𝒏𝒔 𝒅𝒓𝒂𝒎𝒂𝒕𝒊𝒄𝒂𝒍𝒍𝒚 𝒊𝒏 𝒕𝒉𝒆 𝒍𝒆𝒇𝒕 𝒎𝒊𝒅-𝒈𝒓𝒐𝒖𝒏𝒅, 𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏𝒆𝒅 𝒃𝒆𝒏𝒆𝒂𝒕𝒉 𝒂 𝒍𝒂𝒓𝒈𝒆𝒓 𝒍𝒆𝒂𝒏𝒊𝒏𝒈 𝒕𝒓𝒆𝒆, 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒊𝒏𝒈 𝒊𝒕 𝒔𝒖𝒑𝒑𝒐𝒓𝒕𝒔 𝒕𝒉𝒆 𝒍𝒊𝒗𝒊𝒏𝒈 𝒄𝒐𝒖𝒏𝒕𝒆𝒓𝒑𝒂𝒓𝒕'𝒔 𝒘𝒆𝒊𝒈𝒉𝒕. 𝑻𝒉𝒆 𝒅𝒂𝒓𝒌 𝒃𝒓𝒂𝒏𝒄𝒉𝒆𝒔 𝒐𝒇 𝒕𝒉𝒊𝒔 𝒑𝒓𝒆𝒄𝒂𝒓𝒊𝒐𝒖𝒔 𝒔𝒕𝒓𝒖𝒄𝒕𝒖𝒓𝒆 𝒂𝒓𝒄𝒉 𝒂𝒄𝒓𝒐𝒔𝒔 𝒕𝒉𝒆 𝒖𝒑𝒑𝒆𝒓 𝒕𝒉𝒊𝒓𝒅 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒅𝒊𝒔𝒑𝒍𝒂𝒄𝒊𝒏𝒈 𝒕𝒉𝒆 𝒘𝒉𝒊𝒕𝒆 𝒃𝒊𝒓𝒄𝒉 𝒂𝒏𝒅 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂𝒏 𝒂𝒓𝒄𝒉𝒊𝒕𝒆𝒄𝒕𝒖𝒓𝒂𝒍 𝒇𝒓𝒂𝒎𝒆 𝒓𝒆𝒎𝒊𝒏𝒊𝒔𝒄𝒆𝒏𝒕 𝒐𝒇 𝒂 𝑮𝒐𝒕𝒉𝒊𝒄 𝒄𝒂𝒕𝒉𝒆𝒅𝒓𝒂𝒍. 𝑯𝒐𝒘𝒆𝒗𝒆𝒓, 𝒂𝒄𝒄𝒆𝒔𝒔 𝒕𝒐 𝒕𝒉𝒆 𝒔𝒕𝒓𝒖𝒄𝒕𝒖𝒓𝒆𝒅 𝒔𝒑𝒂𝒄𝒆 𝒊𝒔 𝒉𝒊𝒏𝒅𝒆𝒓𝒆𝒅 𝒃𝒚 𝒇𝒐𝒓𝒆𝒈𝒓𝒐𝒖𝒏𝒅𝒆𝒅 𝒔𝒕𝒂𝒈𝒏𝒂𝒏𝒕 𝒘𝒂𝒕𝒆𝒓 𝒂𝒏𝒅 𝒂 𝒅𝒆𝒄𝒂𝒚𝒊𝒏𝒈 𝒄𝒂𝒏𝒐𝒆. 𝑻𝒉𝒊𝒔 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒊𝒔 𝒏𝒐𝒕 𝒐𝒏𝒆 𝒕𝒐 𝒃𝒆 𝒆𝒏𝒕𝒆𝒓𝒆𝒅 𝒊𝒏𝒕𝒐, 𝒏𝒐𝒓 𝒊𝒔 𝒊𝒕 𝒆𝒂𝒔𝒊𝒍𝒚 𝒕𝒓𝒂𝒗𝒆𝒓𝒔𝒆𝒅. 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 𝒑𝒓𝒐𝒅𝒖𝒄𝒆𝒅 𝒕𝒉𝒓𝒆𝒆 𝒓𝒆𝒏𝒅𝒊𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 "𝑻𝒉𝒆 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅𝒔" 𝒅𝒖𝒓𝒊𝒏𝒈 𝒉𝒊𝒔 𝒄𝒂𝒓𝒆𝒆𝒓. 𝑶𝒏𝒆 𝒗𝒆𝒓𝒔𝒊𝒐𝒏 𝒘𝒂𝒔 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝑬𝒙𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏 𝑼𝒏𝒊𝒗𝒆𝒓𝒔𝒆𝒍𝒍𝒆 𝒊𝒏 𝑷𝒂𝒓𝒊𝒔 𝒊𝒏 𝟏𝟖𝟔𝟕, 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒊𝒏𝒈 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈. 𝑰𝒕 𝒘𝒂𝒔 𝒍𝒂𝒕𝒆𝒓 𝒔𝒉𝒐𝒘𝒄𝒂𝒔𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝑪𝒆𝒏𝒕𝒆𝒏𝒏𝒊𝒂𝒍 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏 𝒊𝒏 𝑷𝒉𝒊𝒍𝒂𝒅𝒆𝒍𝒑𝒉𝒊𝒂 𝒊𝒏 𝟏𝟖𝟕𝟔, 𝒘𝒉𝒆𝒓𝒆 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆'𝒔 𝒄𝒐𝒍𝒍𝒆𝒂𝒈𝒖𝒆𝒔 𝒔𝒊𝒏𝒈𝒍𝒆𝒅 𝒊𝒕 𝒐𝒖𝒕 𝒂𝒔 𝒆𝒎𝒃𝒍𝒆𝒎𝒂𝒕𝒊𝒄 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒆𝒓'𝒔 𝒂𝒃𝒊𝒍𝒊𝒕𝒚 𝒕𝒐 𝒆𝒗𝒐𝒌𝒆 𝒑𝒐𝒆𝒕𝒊𝒄 𝒕𝒆𝒏𝒅𝒆𝒓𝒏𝒆𝒔𝒔 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒑𝒓𝒆𝒄𝒊𝒔𝒆 𝒓𝒆𝒏𝒅𝒆𝒓𝒊𝒏𝒈. 𝑶𝒗𝒆𝒓 𝒕𝒊𝒎𝒆, 𝒕𝒉𝒆 𝒕𝒊𝒕𝒍𝒆 𝒉𝒂𝒔 𝒗𝒂𝒓𝒊𝒆𝒅; 𝒐𝒄𝒄𝒂𝒔𝒊𝒐𝒏𝒂𝒍𝒍𝒚, "𝒈𝒓𝒐𝒖𝒏𝒅" 𝒂𝒑𝒑𝒆𝒂𝒓𝒔 𝒔𝒊𝒏𝒈𝒖𝒍𝒂𝒓, 𝒃𝒖𝒕 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 𝒉𝒊𝒎𝒔𝒆𝒍𝒇 𝒓𝒆𝒇𝒆𝒓𝒓𝒆𝒅 𝒕𝒐 𝒊𝒕 𝒊𝒏 𝒕𝒉𝒆 𝒑𝒍𝒖𝒓𝒂𝒍: "𝑻𝒉𝒆 𝒏𝒂𝒎𝒆𝒔 𝒐𝒇 𝒔𝒐𝒎𝒆 𝒐𝒇 𝒎𝒚 𝒑𝒊𝒄𝒕𝒖𝒓𝒆𝒔, 𝒉𝒐𝒘𝒆𝒗𝒆𝒓, 𝒎𝒂𝒚 𝒔𝒆𝒓𝒗𝒆 𝒕𝒐 𝒈𝒊𝒗𝒆 𝒂𝒏 𝒊𝒅𝒆𝒂 𝒐𝒇 𝒕𝒉𝒆 𝒅𝒊𝒇𝒇𝒆𝒓𝒆𝒏𝒕 𝒔𝒖𝒃𝒋𝒆𝒄𝒕𝒔 𝑰 𝒉𝒂𝒗𝒆 𝒖𝒏𝒅𝒆𝒓𝒕𝒂𝒌𝒆𝒏...𝒊𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂, ‘𝑻𝒉𝒆 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅𝒔’ (𝑪𝒂𝒕𝒔𝒌𝒊𝒍𝒍 𝑴𝒐𝒖𝒏𝒕𝒂𝒊𝒏𝒔)." 𝑰𝒏 𝒉𝒊𝒔 𝑩𝒐𝒐𝒌 𝒐𝒇 𝒕𝒉𝒆 𝑨𝒓𝒕𝒊𝒔𝒕𝒔, 𝑯𝒆𝒏𝒓𝒚 𝑻𝒖𝒄𝒌𝒆𝒓𝒎𝒂𝒏 𝒖𝒏𝒗𝒆𝒊𝒍𝒔 𝒕𝒉𝒆 𝒂𝒍𝒍𝒆𝒈𝒐𝒓𝒊𝒄𝒂𝒍 𝒑𝒐𝒕𝒆𝒏𝒄𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈: "𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆'𝒔 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅 𝒉𝒂𝒔 𝒃𝒆𝒆𝒏 𝒘𝒆𝒍𝒍 𝒄𝒂𝒍𝒍𝒆𝒅 𝒂𝒏 𝒊𝒅𝒚𝒍, [𝒔𝒊𝒄] 𝒕𝒆𝒍𝒍𝒊𝒏𝒈 𝒊𝒕𝒔 𝒔𝒕𝒐𝒓𝒚 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒆𝒔𝒆𝒓𝒕𝒆𝒅, 𝒃𝒓𝒐𝒌𝒆𝒏 𝒄𝒂𝒏𝒐𝒆, 𝒕𝒉𝒆 𝒔𝒉𝒂𝒍𝒍𝒐𝒘 𝒃𝒊𝒕 𝒐𝒇 𝒘𝒂𝒕𝒆𝒓 𝒘𝒉𝒆𝒓𝒆𝒊𝒏 𝒂 𝒅𝒆𝒆𝒓 𝒔𝒕𝒐𝒐𝒑𝒔 𝒕𝒐 𝒅𝒓𝒊𝒏𝒌, 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒎𝒆𝒍𝒂𝒏𝒄𝒉𝒐𝒍𝒚 𝒔𝒊𝒍𝒗𝒆𝒓𝒚 𝒃𝒊𝒓𝒄𝒉𝒆𝒔 𝒕𝒉𝒂𝒕 𝒃𝒆𝒏𝒅 𝒖𝒏𝒅𝒆𝒓 𝒕𝒉𝒆 𝒘𝒆𝒊𝒈𝒉𝒕 𝒐𝒇 𝒚𝒆𝒂𝒓𝒔, 𝒂𝒏𝒅 𝒍𝒆𝒂𝒏 𝒕𝒐𝒘𝒂𝒓𝒅𝒔 𝒆𝒂𝒄𝒉 𝒐𝒕𝒉𝒆𝒓 𝒂𝒔 𝒕𝒉𝒐𝒖𝒈𝒉 𝒃𝒓𝒆𝒂𝒕𝒉𝒊𝒏𝒈 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒊𝒈𝒉𝒕 𝒐𝒇 𝒐𝒕𝒉𝒆𝒓 𝒅𝒂𝒚𝒔 𝒆𝒓𝒆 𝒕𝒉𝒆 𝒓𝒆𝒅 𝒎𝒂𝒏 𝒔𝒐𝒖𝒈𝒉𝒕 𝒐𝒕𝒉𝒆𝒓 𝒈𝒓𝒐𝒖𝒏𝒅𝒔, 𝒂𝒏𝒅 𝒍𝒆𝒇𝒕 𝒕𝒉𝒆𝒎 𝒕𝒐 𝒔𝒐𝒖𝒈𝒉 𝒂𝒏𝒅 𝒔𝒊𝒈𝒉 𝒊𝒏 𝒔𝒐𝒍𝒊𝒕𝒖𝒅𝒆." 𝑻𝒖𝒄𝒌𝒆𝒓𝒎𝒂𝒏 𝒖𝒏𝒅𝒆𝒓𝒔𝒄𝒐𝒓𝒆𝒔 𝒕𝒉𝒆 𝒑𝒊𝒄𝒕𝒖𝒓𝒆𝒔𝒒𝒖𝒆 𝒂𝒍𝒍𝒖𝒓𝒆 𝒕𝒉𝒂𝒕 𝒕𝒉𝒆 𝒎𝒆𝒍𝒂𝒏𝒄𝒉𝒐𝒍𝒊𝒄 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒐𝒇 𝒍𝒐𝒔𝒕 𝑵𝒂𝒕𝒊𝒗𝒆 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒄𝒖𝒍𝒕𝒖𝒓𝒆 𝒉𝒆𝒍𝒅 𝒇𝒐𝒓 𝒄𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒊𝒆𝒔, 𝒑𝒆𝒓𝒄𝒆𝒊𝒗𝒊𝒏𝒈 𝒕𝒉𝒆 𝒅𝒆𝒄𝒂𝒚𝒊𝒏𝒈 𝒃𝒊𝒓𝒄𝒉 𝒄𝒂𝒏𝒐𝒆 𝒂𝒔 𝒆𝒎𝒃𝒍𝒆𝒎𝒂𝒕𝒊𝒄 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒔𝒔𝒊𝒏𝒈 𝒐𝒇 𝒕𝒓𝒊𝒃𝒂𝒍 𝒑𝒆𝒐𝒑𝒍𝒆𝒔. 𝑻𝒉𝒓𝒐𝒖𝒈𝒉 𝒆𝒗𝒐𝒌𝒊𝒏𝒈 𝒕𝒉𝒊𝒔 𝒏𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒘𝒊𝒕𝒉𝒊𝒏 𝒂𝒏 𝒊𝒏𝒕𝒊𝒎𝒂𝒕𝒆 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆, 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 𝒎𝒆𝒓𝒈𝒆𝒔 𝒕𝒉𝒆 𝒂𝒍𝒍𝒆𝒈𝒐𝒓𝒊𝒄𝒂𝒍 𝒂𝒑𝒑𝒆𝒂𝒍 𝒐𝒇 𝑻𝒉𝒐𝒎𝒂𝒔 𝑪𝒐𝒍𝒆 𝒘𝒊𝒕𝒉 𝑨𝒔𝒉𝒆𝒓 𝑩. 𝑫𝒖𝒓𝒂𝒏𝒅’𝒔 𝒆𝒎𝒑𝒉𝒂𝒔𝒊𝒔 𝒐𝒏 𝒄𝒂𝒓𝒆𝒇𝒖𝒍 𝒂𝒏𝒅 𝒂𝒄𝒄𝒖𝒓𝒂𝒕𝒆 𝒐𝒃𝒔𝒆𝒓𝒗𝒂𝒕𝒊𝒐𝒏. 𝑻𝒉𝒆 𝒊𝒎𝒑𝒍𝒊𝒆𝒅 𝒍𝒐𝒔𝒔 𝒐𝒇 𝒊𝒏𝒅𝒊𝒈𝒆𝒏𝒐𝒖𝒔 𝒄𝒖𝒍𝒕𝒖𝒓𝒆𝒔 𝒔𝒊𝒕𝒖𝒂𝒕𝒆𝒔 𝒕𝒉𝒊𝒔 𝒊𝒎𝒂𝒈𝒆 𝒘𝒊𝒕𝒉𝒊𝒏 𝒂 𝒃𝒓𝒐𝒂𝒅𝒆𝒓 𝒄𝒐𝒏𝒕𝒆𝒙𝒕 𝒐𝒇 𝒍𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝒑𝒓𝒐𝒅𝒖𝒄𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒖𝒏𝒇𝒐𝒍𝒅𝒊𝒏𝒈 𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍 𝒂𝒄𝒕𝒊𝒐𝒏𝒔 𝒊𝒏 𝒎𝒊𝒅-𝟏𝟗𝒕𝒉-𝒄𝒆𝒏𝒕𝒖𝒓𝒚 𝑨𝒎𝒆𝒓𝒊𝒄𝒂. 𝑻𝒉𝒆 𝑰𝒏𝒅𝒊𝒂𝒏 𝑹𝒆𝒎𝒐𝒗𝒂𝒍 𝑨𝒄𝒕 𝒐𝒇 𝟏𝟖𝟑𝟎 𝒇𝒐𝒓𝒄𝒆𝒇𝒖𝒍𝒍𝒚 𝒅𝒊𝒔𝒑𝒍𝒂𝒄𝒆𝒅 𝒏𝒂𝒕𝒊𝒗𝒆 𝒑𝒆𝒐𝒑𝒍𝒆𝒔 𝒘𝒆𝒔𝒕𝒘𝒂𝒓𝒅, 𝒓𝒆𝒔𝒖𝒍𝒕𝒊𝒏𝒈 𝒊𝒏 𝒏𝒖𝒎𝒆𝒓𝒐𝒖𝒔 𝒄𝒂𝒔𝒖𝒂𝒍𝒕𝒊𝒆𝒔. 𝑺𝒚𝒎𝒑𝒂𝒕𝒉𝒊𝒛𝒆𝒓𝒔 𝒇𝒆𝒂𝒓𝒆𝒅 𝒕𝒉𝒆 𝒑𝒆𝒓𝒎𝒂𝒏𝒆𝒏𝒕 𝒍𝒐𝒔𝒔 𝒐𝒇 𝑵𝒂𝒕𝒊𝒗𝒆 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒄𝒖𝒍𝒕𝒖𝒓𝒆, 𝒎𝒂𝒏𝒊𝒇𝒆𝒔𝒕𝒊𝒏𝒈 𝒊𝒏 𝒑𝒐𝒑𝒖𝒍𝒂𝒓 𝒇𝒊𝒄𝒕𝒊𝒐𝒏 𝒂𝒏𝒅 𝒑𝒐𝒆𝒕𝒓𝒚. "𝑻𝒉𝒆 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅𝒔" 𝒊𝒔 𝒔𝒑𝒆𝒄𝒊𝒇𝒊𝒄𝒂𝒍𝒍𝒚 𝒍𝒊𝒏𝒌𝒆𝒅 𝒕𝒐 𝒕𝒉𝒆 𝒑𝒐𝒆𝒕𝒓𝒚 𝒐𝒇 𝑩𝒓𝒚𝒂𝒏𝒕, 𝒘𝒉𝒐𝒔𝒆 𝒏𝒐𝒔𝒕𝒂𝒍𝒈𝒊𝒄 𝒔𝒆𝒏𝒕𝒊𝒎𝒆𝒏𝒕𝒔 𝒆𝒍𝒆𝒗𝒂𝒕𝒆 𝒕𝒉𝒆 𝒍𝒐𝒔𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒏𝒐𝒃𝒍𝒆 "𝒓𝒆𝒅 𝒎𝒂𝒏" 𝒐𝒏𝒄𝒆 𝒅𝒘𝒆𝒍𝒍𝒊𝒏𝒈 𝒊𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒇𝒐𝒓𝒆𝒔𝒕𝒔. 𝑻𝒘𝒐 𝒚𝒆𝒂𝒓𝒔 𝒍𝒂𝒕𝒆𝒓, 𝒊𝒏 𝟏𝟖𝟔𝟔, 𝒅𝒖𝒓𝒊𝒏𝒈 𝒂𝒏 𝒆𝒙𝒑𝒆𝒅𝒊𝒕𝒊𝒐𝒏 𝒕𝒐 𝒕𝒉𝒆 𝒘𝒆𝒔𝒕, 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆'𝒔 𝒑𝒆𝒓𝒔𝒑𝒆𝒄𝒕𝒊𝒗𝒆 𝒐𝒏 𝑵𝒂𝒕𝒊𝒗𝒆 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏𝒔 𝒅𝒊𝒇𝒇𝒆𝒓𝒆𝒅, 𝒉𝒊𝒈𝒉𝒍𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒆𝒏𝒄𝒐𝒖𝒏𝒕𝒆𝒓𝒔 𝒘𝒊𝒕𝒉 𝑼𝒕𝒆𝒔 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒓𝒆𝒈𝒊𝒐𝒏'𝒔 𝒄𝒉𝒂𝒍𝒍𝒆𝒏𝒈𝒆𝒔: “𝑨𝒕 𝒕𝒉𝒆 𝒕𝒊𝒎𝒆 𝒕𝒉𝒆 𝑰𝒏𝒅𝒊𝒂𝒏𝒔 𝒘𝒆𝒓𝒆 𝒏𝒐𝒏𝒆 𝒕𝒐𝒐 𝒄𝒊𝒗𝒊𝒍; 𝒕𝒉𝒆 𝒕𝒓𝒊𝒃𝒆 𝒂𝒃𝒐𝒖𝒏𝒅𝒊𝒏𝒈 𝒊𝒏 𝒕𝒉𝒆 𝒓𝒆𝒈𝒊𝒐𝒏 𝒘𝒆𝒓𝒆 𝒕𝒉𝒆 𝑼𝒕𝒆𝒔. 𝑾𝒆 𝒔𝒆𝒍𝒅𝒐𝒎 𝒔𝒂𝒘 𝒂𝒏𝒚 𝒐𝒇 𝒕𝒉𝒆𝒎, 𝒃𝒖𝒕 𝒂𝒏 𝑰𝒏𝒅𝒊𝒂𝒏 𝒄𝒂𝒏 𝒉𝒊𝒅𝒆 𝒘𝒉𝒆𝒓𝒆 𝒂 𝒘𝒉𝒊𝒕𝒆 𝒎𝒂𝒏 𝒄𝒂𝒏𝒏𝒐𝒕, 𝒂𝒏𝒅 𝒘𝒆 𝒉𝒂𝒅 𝒎𝒆𝒕 𝒂𝒍𝒍 𝒂𝒍𝒐𝒏𝒈 𝒐𝒖𝒓 𝒓𝒐𝒖𝒕𝒆 𝒑𝒍𝒆𝒏𝒕𝒚 𝒐𝒇 𝒈𝒉𝒂𝒔𝒕𝒍𝒚 𝒆𝒗𝒊𝒅𝒆𝒏𝒄𝒆𝒔 𝒐𝒇 𝒎𝒖𝒓𝒅𝒆𝒓𝒔, 𝒃𝒖𝒓𝒏𝒊𝒏𝒈 𝒐𝒇 𝒓𝒂𝒏𝒄𝒉𝒆𝒔, 𝒂𝒏𝒅 𝒔𝒕𝒆𝒂𝒍𝒊𝒏𝒈𝒔 𝒊𝒏𝒏𝒖𝒎𝒆𝒓𝒂𝒃𝒍𝒆, 𝒖𝒏𝒕𝒊𝒍 𝑰 𝒉𝒂𝒅 𝒇𝒓𝒆𝒒𝒖𝒆𝒏𝒕𝒍𝒚 𝒃𝒆𝒆𝒏 𝒐𝒓𝒅𝒆𝒓𝒆𝒅 𝒕𝒐 𝒄𝒐𝒎𝒆 𝒃𝒂𝒄𝒌 𝒕𝒐 𝒄𝒂𝒎𝒑 𝒘𝒉𝒆𝒏 𝒕𝒉𝒆 𝑮𝒆𝒏𝒆𝒓𝒂𝒍 (𝑷𝒐𝒑𝒆) 𝒔𝒂𝒘 𝒎𝒚 𝒘𝒉𝒊𝒕𝒆 𝒖𝒎𝒃𝒓𝒆𝒍𝒍𝒂 𝒑𝒆𝒓𝒄𝒉𝒆𝒅 𝒐𝒏 𝒂𝒏 𝒆𝒎𝒊𝒏𝒆𝒏𝒄𝒆 𝒊𝒏 𝒐𝒏𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒎𝒐𝒔𝒕 𝒊𝒏𝒏𝒐𝒄𝒆𝒏𝒕 𝒍𝒐𝒐𝒌𝒊𝒏𝒈 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆𝒔 𝒐𝒏 𝒆𝒂𝒓𝒕𝒉, 𝒂𝒏𝒅 𝒏𝒐𝒕 𝒂𝒏 𝑰𝒏𝒅𝒊𝒂𝒏 𝒉𝒂𝒗𝒊𝒏𝒈 𝒃𝒆𝒆𝒏 𝒔𝒆𝒆𝒏 𝒇𝒐𝒓 𝒅𝒂𝒚𝒔.” 𝑼𝒍𝒕𝒊𝒎𝒂𝒕𝒆𝒍𝒚, "𝑻𝒉𝒆 𝑶𝒍𝒅 𝑯𝒖𝒏𝒕𝒊𝒏𝒈 𝑮𝒓𝒐𝒖𝒏𝒅𝒔" 𝒎𝒂𝒊𝒏𝒕𝒂𝒊𝒏𝒔 𝒂 𝒅𝒆𝒍𝒊𝒄𝒂𝒕𝒆 𝒃𝒂𝒍𝒂𝒏𝒄𝒆 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒍𝒊𝒇𝒆 𝒂𝒏𝒅 𝒅𝒆𝒂𝒕𝒉, 𝒏𝒐𝒕 𝒚𝒆𝒕 𝒃𝒓𝒐𝒌𝒆𝒏 𝒃𝒖𝒕 𝒇𝒂𝒄𝒊𝒏𝒈 𝒋𝒆𝒐𝒑𝒂𝒓𝒅𝒚. 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 𝒄𝒓𝒂𝒇𝒕𝒔 𝒂 𝒔𝒆𝒆𝒎𝒊𝒏𝒈𝒍𝒚 𝒃𝒆𝒏𝒊𝒈𝒏 𝒆𝒏𝒗𝒊𝒓𝒐𝒏𝒎𝒆𝒏𝒕 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒇𝒂𝒎𝒊𝒍𝒊𝒂𝒓 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆𝒔 𝒕𝒉𝒂𝒕 𝒄𝒐𝒏𝒄𝒆𝒂𝒍 𝒕𝒉𝒆 𝒖𝒏𝒅𝒆𝒓𝒍𝒚𝒊𝒏𝒈 𝒂𝒏𝒙𝒊𝒆𝒕𝒚 𝒊𝒏 𝒕𝒉𝒆 𝒔𝒄𝒆𝒏𝒆. 𝑻𝒉𝒓𝒐𝒖𝒈𝒉𝒐𝒖𝒕 𝒕𝒉𝒆 𝒄𝒆𝒏𝒕𝒖𝒓𝒚, 𝒍𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒔𝒕𝒐𝒐𝒅 𝒂𝒔 𝒕𝒉𝒆 𝒉𝒊𝒈𝒉𝒆𝒔𝒕 𝒇𝒐𝒓𝒎 𝒐𝒇 𝒄𝒖𝒍𝒕𝒖𝒓𝒂𝒍 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏, 𝒚𝒆𝒕 𝒄𝒐𝒏𝒄𝒆𝒑𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝒏𝒂𝒕𝒖𝒓𝒆 𝒖𝒏𝒅𝒆𝒓𝒘𝒆𝒏𝒕 𝒓𝒂𝒅𝒊𝒄𝒂𝒍 𝒔𝒉𝒊𝒇𝒕𝒔. 𝑨𝒓𝒕𝒊𝒔𝒕𝒔 𝒍𝒊𝒌𝒆 𝑾𝒉𝒊𝒕𝒕𝒓𝒆𝒅𝒈𝒆 𝒏𝒂𝒗𝒊𝒈𝒂𝒕𝒆𝒅 𝒕𝒉𝒆 𝒕𝒆𝒏𝒔𝒊𝒐𝒏𝒔 𝒂𝒏𝒅 𝒂𝒏𝒙𝒊𝒆𝒕𝒊𝒆𝒔 𝒑𝒐𝒔𝒆𝒅 𝒃𝒚 𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍 𝒆𝒗𝒆𝒏𝒕𝒔 𝒂𝒏𝒅 𝒆𝒗𝒐𝒍𝒗𝒊𝒏𝒈 𝒏𝒐𝒕𝒊𝒐𝒏𝒔 𝒐𝒇 𝒏𝒂𝒕𝒊𝒐𝒏𝒂𝒍 𝒊𝒅𝒆𝒏𝒕𝒊𝒕𝒚.
Customer Reviews
4.8 out of 5 stars rating1.2K Total Reviews
1,169 Reviews
Reviews for similar products
5 out of 5 stars rating
By Anne B.23 September 2017 • Verified Purchase
Wrapped Canvas, Size: 20.32cm x 25.40cm
Creator Review
Very impressive product! The canvas is sturdily made. It features a saw tooth hanger on the back, making it easy to "try out" the canvas in several rooms until I found the best location. It attracts good comments from my friends. I love it! The printing is wonderful! Colors are as bright and crisp as they appeared on the website.
from zazzle.com (US)
5 out of 5 stars rating
By Barbara S.21 December 2018 • Verified Purchase
Wrapped Canvas, Size: 33.02cm x 33.02cm
Creator Review
I ordered this product to see what the quality was because I am selling it on my store. Plus it was on sale and it was an excellent price! I didn’t expect it to be as nice. It really is beautiful. I am relieved! The only thing I don’t like about it is the sawtooth hanger on the back. I prefer a wire hanging system. The sawtooth hanger was not even centered but I managed to hang it straight anyway. Overall I love it! I will add the wire myself. The printing was clear and crisp and the colors were excellent! The canvas was stretched tight and professionally done. I am very happy with the quality of the print!
from zazzle.com (US)
5 out of 5 stars rating
By R.24 April 2016 • Verified Purchase
Wrapped Canvas, Size: 43.23cm x 69.99cm
Zazzle Reviewer Program
I needed an odd size piece of art to cover an ugly electric box panel in my newly finished basement. This piece fit the bill exactly. I've always loved Alphonse Mucha's art and this product was the exact size and style I was looking for. The art is vivid and looks great in my new bathroom. The printing was much better than I was expecting. The image is crisp and clear and the colors are amazing.
from zazzle.com (US)
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Product ID: 256313816241901973
Posted on 8/03/2024, 2:38 PM
Rating: G
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